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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Thomas Sutcliffe Mort and his wife Theresa

A head for business and a heart for love

Lust

For love, not money

Thomas and John Clarke, bushrangers, photographed in Braidwood Gaol

The last bushrangers

It's Complicated

Brothers in harms

Queenie McKenzie Nakara

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

Helena Rubinstein in a red brocade Balenciaga gown

Philanthropic donations enable otherwise unobtainable acquisition

20 October 2016
Archived media releases 2016

A magnanimous portrait of Helena Rubinstein has been acquired for the National Portrait Gallery’s collection.

Portrait of Mrs Tom Roberts

Who is Lillie Roberts?

Devotion

Talented wife for a talented husband

Convict love token from J. Waldon, 1832

To coin a (farewell) phrase

Devotion

A penny for their thoughts

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New Chief Patron for the National Portrait Gallery

8 March 2016
Archived media releases 2016

Mrs Lucy Hughes Turnbull AO has accepted an invitation to become the new Chief Patron of the National Portrait Gallery. 

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

Untitled #1, 2012 by Ahmad Sabra

Ahmad Sabra

Finalist interviews

We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Alab ng puso (Fire in the heart), 2010 by Alfredo Esquillo Jr

Alfredo Esquillo Jr

by Patrick D. Flores
Artist essays

Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.

Ngalim-Ngalimbooroo Ngagenybe

Presenting… Shirley Purdie’s Ngalim-Ngalimbooroo Ngagenybe

Wednesday 27 May 2020
Archived media releases 2020

The National Portrait Gallery this week launches an online exhibition of Shirley Purdie’s remarkable self-portrait Ngalim-Ngalimbooroo Ngagenybe to coincide with Reconciliation Week.

Arthur Streeton

The 1890s to the 1940s

Mo and beard timeline

Although the tough, weathered, hard-drinking bushmen of the kind mythologised by writers like Banjo Paterson and Henry Lawson are popularly associated with the character of late nineteenth century Australia, it was also a time when alternative ideas about identity began to come into play.

Michelle Simmons

Michelle Simmons, 2018

by Selina Ou
General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Shakespeare to Winehouse: Icons from the National Portrait Gallery, London

Announcing Shakespeare to Winehouse

24 November 2021
Archived media releases 2021

More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.

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Portrait Donors

Listed by year
Honour board
© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency